Fulltone® Pedals
Fulltone was founded in 1991 by Michael Fuller, a Session Guitarist, Composer, Performer, Electronic Tinkerer featured in Guitar Player Magazine and winning first place in their "Ultimate Guitarist Competition" Blues category. Fulltone pedals were born out of a love for music, tone, Led Zeppelin, Jimi Hendrix, etc. Early on he developed a love for fine vintage pedals, and his frustration at the inconsistencies and the often fragile nature of old gear drove him to start Fulltone. Rich, Fat-sounding TONE TOOLS with a reliable build quality is the goal. Fulltone effects carry a 5 year Warranty and are built for (and by) musicians.

Fulltone® Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds ala Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 14ga. steel enclosure with a beautiful Ranar-blue gloss powdercoat finish and Antique-white logo, this pedal is the reincarnation of the Tycobrahe. Call or E--mail for price and availability: 847-432-6350

Fulltone® 70s Pedal - Housed in a 16 gauge steel box and Powder coated Deep Purple, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut. Call or E--mail for price and availability: 847-432-6350

Fulltone® Deja Vibe 2 - The DejáVibe2 or "DV-2" as we like to call it: 100% vintage Univibe guts... exactly the same guts as our mini Deja'Vibe but with built-in Speed Control! Matched transistors and photocells for consistently great sound. Internal transformer that's fuse protected (No wall wart adapters!) and with a custom flat wire 10' 3-prong detachable AC cable. 16 ga.welded steel housing -- built like a Hummer. TrueBypass w/ LED, footswitch located by your heel so you can engage on the fly or leave the speed at your favorite setting and turn off with your toe! Call or E--mail for price and availability: 847-432-6350

Fulltone® Ultimate Octave - A very fat Distortion/Fuzz with a very active tone control and a separate footswitch that kicks in the most searing Octave-Up available... use it as a Fuzz or Octave-Up. With True-Bypass and LED's (for both features), it also has a "Fat/Bright" switch that completely changes both the distortion and octave sounds from strong thick mids (Fat) to completely scooped out with no mids, lotsa bass and hi-end ("Bright"). The world's most versatile Octavia! Call or E--mail for price and availability: 847-432-6350

Fulltone© Choralflange - Guitarists and Bassists, your search for the ultimate analog modulation pedal has ended.... this is the real thing, not a sterile Digital or "Modelling" sound! The FLANGING is amazing! Very musical and very reminiscent of "House Burning Down" and "High Landrons." And without a bunch of noise... in ((STEREO)) too. The CHORUS is wide ranging, getting everything from thick pitch-bent vibrato'd vintage CE-1 style sounds to very transparent splits, but without the sterility of the popular hi-end choruses. And there's more headroom so that there isn't any input overload distortion if you use heavy strings (like me) or play bass. This thing does great Leslie simulations as well, in both stereo and mono operation. Call or E--mail for price and availability: 847-432-6350

Fulltone Tube Echo®- There is nothing funnier than the makers of this new wave of digital and chip-based delays claiming to "sound like a tape echo." One after another they pop out the same old digital and bucket-brigade delays with a few new bells and whistles that supposedly "emulate the warble and tape head saturation of a tape echo" This Tube Tape Echo is the real deal. You can get everything from a quick slap back delay to over 2 seconds of beautiful tube delay. This is the best one on the market. Call or E--mail for price and availability: 847-432-6350

Fulltone® GT-500 High Gain Distortion and Overdrive Booster - F.E.T Hi-Gain Distortion and Overdrive Booster IN ONE BOX. You could think of them as 2 separate pedals..or think of them as stages to be linked together for endless combinations. Hi-Gain side has Volume, Distortion knobs, Bass, Mid, and Highs minipots. Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. Call or E--mail for price and availability: 847-432-6350

Fulltone® OCD - This true bypass, handmade pedal is one of the best distortion pedals on the market and our best seller. Looking for a great sounding distortion pedal look no further than this award winning Fulltone OCD. Call or E--mail for price and availability: 847-432-6350

Fulltone® Clyde Deluxe Wah Pedal - Three seperate wah pedals in one, "Jimi" (standard clyde), "Wacked" and "Shaft". True bypass and 10-step variable input level control. The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all! Call or E--mail for price and availability: 847-432-6350

Fulltone® Fulldrive 2 Mosfet - chosen by Guitar Player Magazine as one of the all-time top 50 effects ever! We are the first to offer a switchable "Boost" Channel in an overdrive and manufacture our own Super-Duty 3PDT footswitch allowing True-Bypass plus LED. Housed in a beautiful powder coated Blue 16ga.steel enclosure, the first channel is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics.. There's also a footswitchable second channel "Boost Mode" with its own separate Distortion control for medium to higher gains with a more singing violin-like sustain! Call or E--mail for price and availability: 847-432-6350

Fulltone® Clyde Standard Wah - Clyde McCoy was a big-band Trumpet Player in the '60s... not a great musician, but one famous for getting a muted "wah wah" sound. This led to Vox trying to approximate this muted trumpet sound in a pedal... hence the Vox "Clyde McCoy" wah wah circa 1967. Jimi Hendrix and Eric Clapton used a Vox "Clyde McCoy" model wah wah. Photos taken during the recording of "Electric Ladyland" document Jimi's as being the "signature" model, featuring Clyde McCoy's name written out script style on the bottomplate. The other type of Clyde McCoy was the "picture" version, which had Clyde's photo on the bottomplate. The "signature" model, with it's great sounding "halo" inductor, is what the Fulltone CLYDE is modelled after. Call or E--mail for price and availability: 847-432-6350

Fulltone® Bass Drive - Bassists need dirt too! But no one, until now, has given you something that works, with all the full, rich bottom-end that you deserve, damn-it! BTW, many guitarists use and prefer the Bassdrive for Guitar!The Bass-Drive is a lot like its cousin the Full-Drive2, but voiced with an extra octave of bass coverage... still giving a natural, uncolored FATNESS to your thang. From just adding a little grind, to replicating a raging SVT, to sounding like Jack Bruce in The Cream. (He's got one already!) Call or E--mail for price and availability: 847-432-6350

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